The Seventh Series of
Ethical Addresses, published in 1901, included lectures from
Felix Adler (1),
William M. Salter (3),
Walter L. Sheldon (4), and
Percival Chubb (2). The lectures range from philosophy (Marcus Aurelius to socialism) to literature (Ruskin to Kipling) to practical matters related to self-culture clubs in St. Louis with a special bonus review of the Nineteenth Century as the Twentieth Century begins.
Walter L. Sheldon's two-part "sketch" of the history of the Wage-Earners' Self-Culture Clubs of St. Louis (pp. 39-78) is a noteworthy contribution both to the history and the philosophy of Ethical Culture. The idea of self-culture--personal development--is central to the Movement founded by Felix Adler. The self-culture clubs of St. Louis reflected motives similar to those that inspired the settlement work in New York, Chicago, and elsewhere. Sheldon is careful to explain how St. Louis differed from those areas and how it is less suited to the solutions offered through settlement houses. Instead he details the genesis and inspiration of the self-culture clubs, emphasizing that the goal for the clubs was personal development without any religious proselytization and without the element of training for economic advancement. The clubs depended on hundreds of volunteers and became well respected in the larger community of St. Louis. Sheldon adds the practical reasons for legally incorporating the clubs as entities separate from ECSSL, matters of governance and funding, and detailed examples of programming. Readers today may find interest both in the historical record that Sheldon presents and a model that can be applied--with a few updates--to current needs for community engagement in other cities that are home to Ethical Culture Societies.
Although the St. Louis clubs began with programs for men, they did eventually include programming for women and youth. Sheldon admits that the racial history of St. Louis, a city located at a point of strategic value in the US Civil War and divided in its loyalties throughout the war, added difficulties in providing similar clubs for "the large colored element of St. Louis." He does, however, note that doing so would be "the next step, probably," indicating awareness of need and a desire to serve the whole community of "wage-earners" in St. Louis.
Another notable lecture from Sheldon was delivered on "the last Sunday of the Nineteenth Century," presumably also in St. Louis. His "A Survey of the Nineteenth Century" is an eye-opening review of the accomplishments of a century that Sheldon nonetheless asserts was not a creative age. Instead, he argued that the 19C was a period of reaping the seeds that were sewn in previous centuries in science, philosophy, etc. (Hence the self-rake reaper shown above.) This reaping included the expansion and development of democracy, scholarship that established the Bible as literature, application of the principles of evolution, development of the novel, and on to the applied arts that led to so many inventions. Sheldon likened the product of earlier centuries to great thinkers with great ideas, but the 19C proved more powerful by the spread of those ideas to the many. His analogy with the growth of a coral island made that notion of the strength of multitudes even more vivid. Sheldon's conclusion about the 19C, however, sounds an alarm:
The first effect of the mighty achievements of the nineteenth century has been to set up such a worship of the body-side of life, such a care for physical comfort, for the good things of life, as they are called, for the surface-side, for external pleasures, the play-side of life, that the spirit of man or in man has been in a process of decay. In a sense, this has been the most unspiritual age for the last two thousand years.
Sheldon ends his survey with hope but also a clear call for more attention and care for the "spirit-side" of life.